How To Draw Caricatures - Lenn Redman Pdf Work !link!
Every caricature begins with the basic shape of the head. Redman categorizes human heads into primary geometric shapes: : The classic baseline for balanced faces.
Redman simplifies complex facial features into basic geometric weights:
What do you use most? (Digital tablet, pencil, or ink?)
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Features that compress, recede, or pull inward (e.g., a tiny nose, close-set eyes, a narrow forehead).
If one feature is exceptionally large, the surrounding features must be minimized to create visual balance and impact.
Before you can distort a face, you must understand its exact proportions. Redman’s work focuses on finding the unique rhythm of a subject's face and amplifying it without losing their likeness. The 4 Pillars of the Redman Method Every caricature begins with the basic shape of the head
If the eyes are close together, draw them even closer. If the nose is long, let it overlap the mouth. Redman taught that exaggeration is simply "stretching the truth." 3. Use "Rhythmic Lines"
While modern digital tools and software offer automated caricature filters, they lack the artistic intuition taught in Redman's text. Understanding why a feature should be exaggerated is what separates a professional artist from a digital filter. Lenn Redman’s "How to Draw Caricatures" provides the foundational logic required for editorial cartooning, character design for animation, and live event entertainment.
Step-by-Step: Drawing a Caricature Using Redman’s Techniques (Digital tablet, pencil, or ink
: Rather than exaggerating everything, Redman advises focusing on these specific deviations to maintain a recognizable likeness. Structural Breakdown of the Work
For those interested in learning caricature, here are some tips:
When studying the PDF, remember that the goal is to internalize his rules of anatomy and distortion so you can eventually break them and develop your own unique caricaturing style.
If you are working through the lessons found in the Redman guide, you will generally follow this structured workflow to create a piece: Step 1: Observation and the "First Impression"
: If a subject's chin is slightly longer than the "In-Betweener's," the artist exaggerates that specific length to achieve a likeness. Core Drawing Techniques
